![]() ![]() Systems That Have Never Been Designed as a Whole 17Ĭhapter 2. Decentralized Control: the Whys and Wherefores 11ġ.2. Kandaurov and was first published by Mir in 1988.Ĭhapter 1. The book was translated from the Russian by A. We hope to convince our readers that it is just so. Decentralized control is but a natural product of this evolution. The evolution of man-made systems out of the already existing ones goes on in much the same way as living organisms evolve. How do large-scale systems arise, and is it possible that the category of large-scale system is merely a far-fetched nothing? We have tried to show in this book that large-scale man-made systems which surround us are steadily becoming more numerous and still more complex. This is because the system’s complexity makes centralized control either inefficient or impracticable. In systems of this kind, centralized control often gives way to decentralized control, the transition being a penalty for the system’s complexity. We seek to present a popular account of the control problems that arise in complex systems which are more generally called large-scale systems in control theory. How do systems evolve?Ī fresh look at design. Are we haunted by the ghost of Erehwon City? Puppets without strings: who is the puppeteer? Boundaries of centralization. “I thought he thought I thought he.” Heterogeneity in a group of automata is a key to success. ![]() Optimum or expediency? Random interactions and information exchange. Is a simple data register really simple? Automata exploring unknown worlds. ![]() Who designed the global telephone and communication network? The whole is the sum of the parts plus their interactions. Paradoxes in the evolution of technological systems. This is another book in the Science For Everyone series. At the city’s Hôtel de Ville, I endured the 40-minute-long Saga de Sibelius, with its cringingly bad dancing, appalling mime and gloved hands-cum-swan puppets.In this post, we will see the book Puppets Without Strings: Reflections on the EvolutionĪnd Control of Some Man-Made Systems by V. In one of the city’s churches I witnessed puppeteer Renaud Herbin (he’s considered a master in his field) deliver what seemed to be some post-apocalyptic allegory via a string puppet on a bed of wet gravel.Īmid so much wheat, there is inevitably going to be some chaff. At a theatre a few miles beyond Charleville (the festival is so popular it’s been forced to seek out new venues in the suburbs), I saw four actors manipulate a single puppet for a story about an Italian shepherd who ends up working on the doomed Titanic. At a temporary, and very chilly, outdoor theatre in the south of the city I saw a highly entertaining musical about a Soviet filmmaker forced by Stalin to portray Ivan the Terrible in a sympathetic light. The handful of shows I attended during my three-day visit couldn’t have been more varied. ![]() The festival’s spectacular 2017 opening event. But no, I must have been on that street corner for almost ten shameful minutes before the burlesque dancer finally let me skulk away. Embarrassed beyond belief, and now the butt of the audience’s mirth, I prayed it would all be over in seconds. For a split second I caught her eye and, before I knew it, I was being thrown around the cobbles as her inept and reluctant dance partner. Like everyone else, I was chortling at the female performer as she pranced about to disco music on the cobbled pavement, dressed in not much more than burlesque underwear and a bowler hat. There I was, in one of the city squares in Charleville-Mézières, innocently watching a cabaret puppet show. You know how stage performers recruit unwilling members of the audience, cajoling them into taking part in the show? That’s just what happened to me. Dominic Bliss had to pull some strings to get there, but soon discovered a rich – and sometimes bizarre – theatre culture Every two years, the Ardennes city of Charleville-Mézières stages one of the biggest puppet festivals in the world. ![]()
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